I like it about as much as Murata's art but I'm a bit weird. The art style looks silly, but in a way that often works with the gags, and when he actually puts the effort in he draws some pretty badass stuff, like the "God" image and stuff from the Garou arc. Yet the characters and villains are the stupidest things you'll ever find legitimately entertaining, the tone is mixed up enough to keep both the stories and the gags fresh, and the amount of depth put into to his worlds and scenarios as well as the skill behind his paneling and general composition are surprisingly impressive. It all smacks of something a deranged teenager scribbles in his notebook and the art reflects that. ONE's stories are primarily constituted by ninjas, psychics, demons, monsters crossed with household object, giant animals, superheroes with absolutely absurd abilities. Get prepared for some old joke from which ONE still successfully extracted some good laugh from me with. Post Monster Association Arc, we would be treated with intrique of Heroes Associations and its competitor while Saitama would have more interactions with his fellow heroes as he moved to Heroes dormitory following the destruction of his previous condo. I feel saying one is greater than the other doesn't do justice for the effort both Murata and ONE puts into the story so I won't.Īnyway, I'll assume anyone come here because of Murata's OPM, so I won't bother with the basic, I'd just want to say that ONE's original is, while it does have less fighting chapters, it doesn't lack in quality remarks and interesting interactions between characters, from which actually OPM's true strength exist. This is the platform that makes Murata's so great, but since he also has other greatness in his art. But not everything since even the grand work Murata did finally diverge from ONE's at some point and there you will truly come to appreciate this original piece of work's greatness.Īrt-wise, ONE's version is a true-blue definition of what you may call a storyboard (as stated above), but the action and dialogue is just another level. Last updated on December 10th, 2020, 5:54am With the sorry state Marvel & DC have been in for the past 5 years, I think it's safe to say that Japan is the future of super hero comics. It's not exactly scene-for-scene, as One may change, add, & drop things from this book for the remake. This webcomic collection serves as a storyboard for Murata to work off of in the manga, as well as provide fans with years of spoilers of things to come. I'm nearly convinced that One speed-draws this way intentionally to give it the look of a child-drawn comic for comedic value, but sometimes he uses enough detail that exposes that he's far more capable at art than he lets on, & his art improves over time, just nowhere near Yuusuke Murata's level. The biggest differences, aside from Tiger & Bunny not being a comedy, is that T&B focuses heavily on sponsorship & television, while Onepunch Man spends a great deal of time mocking the hubris of the heroes & monsters, & the entitlement & blind optimism of the citizens in a world where the only character with two brain cells to rub together is a 10 year old child. Both are set around a world where super heroes are celebrities & their careers are a popularity contest. or else.This series feels like it takes place in the exact same universe as Tiger & Bunny. Genus to turn away from his eccentric experiments and live happily ever after. This bug still gets squashed in the end, prompting Dr. It is only in the anime that Kabuto’s wings are shown, though - the manga opts for an energetic blast-jump instead. All of that, and the big bug was stricken with fear enough to open up his wings to make a getaway from the simple, but serious look Saitama had in his eye. On top of the base level of violence, Kabuto was prone to fits of rage that lasted for a whole week, in which he went on an unquenchable killing spree. Genus locked the giant beetle in the basement was because of the bloodlust Kabuto held he had no reservations about slaughtering his fellow clones, or his creator. What made Kabuto so scary wasn’t anything much to do with his looks, but was owed completely to his fighting philosophy and reasoning. Carnage Kabuto, considered a failed experiment by the obsessive scientist Dr.
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